Answer the following five questions. Respond to each question using no more than three printed pages. Use an essay format.
MUSIC: Purcell & Traditional, Hornpipe, The Lads of Leith and Sodger Lad. In "Purcell with a Chaser" from "Bach Meets Cape Breton: Puirt à Baroque." Marquis Classics ERAD 181. Track 12.Analyse the above work using one for the following perspectives:
(i) Commercial Analysis. (ii) Critical Theory Approach.
MUSIC: John Philip Sousa, Semper Fidelis. From "America's Favorite Marches." Madacy Inc., MAD-2-233. Track 3.Analyse the above work using one for the following perspectives:
(i) Idiomatic Analysis. (ii) Functional Analysis. (iii) Socialist Realist Approach.
MUSIC: Enya. The Sun in the Stream. From "Enya." Warner Records (Atlantic) CD 81842 (1986). Track 6.Analyse the above work using one for the following perspectives:
(i) Fashion Analysis. (ii) Commercial Analysis. (iii) Critical Theory Approach. (iv) Postmodernist Approach.
MUSIC: Alberto Ginastera. "Allegro marcato" From Sonata for Piano No. 1, Opus 22 (1952). Recorded by Barbara Nissman. Globe CD GLO 6012 (1988). Track 1.Analyse the above work using one for the following perspectives:
(i) Anthropological Approach. (ii) Anglo Marxist Analysis. (iii) Memetics Approach.
MUSIC: Arvo Pärt. De Profundis. Polygram (ECM) Records, CD 831 949-2 (1987). Track 4.Analyse the above work using the following perspective:
(i) Religious Hermeneutics.