Selected References

Basso, A., & Capitani, E. (1985). Spared musical abilities in a conductor with global aphasia and ideomotor apraxia. Journal of Neurology, Neurosurgery and Psychiatry, Vol. 48, pp. 407-412.

Damasio, A.R. (1994). Descartes' Error: Emotion, Reason, and the Human Brain. New York: Grosset/Putnam.

Diaz, J. How Drugs Influence Behavior; A Neuro-Behavioral Approach. Upper Saddle River, NJ: Prentice-Hall, 1997.

Dimberg, Ulf. (1987). Facial reactions and autonomic activity to auditory stimuli with high and low intensity. Psychophysiology, Vol. 24, p. 586.

Franc\o'e\(ga's, R. (1958/1988). La Perception de la Musique. Translated by W.J. Dowling as The Perception of Music. Hillsdale, N.J.: Lawrence Erlbaum Associates.

Freeman, W. J. (1995). Societies of Brains: A Study in the Neuroscience of Love and Hate. Hillsdale, NJ: Lawrence Erlbaum Associates.

Goldstein, A. (1980). Thrills in response to music and other stimuli. Physiological Psychology, Vol. 8, No. 1, pp. 126-129.

Gordon, H.W. (1980). Degree of ear asymmetries for perception of dichotic chords and for illusory chord localization in musicians of different levels of competence. Journal of Experimental Psychology: Human Perception and Performance, Vol. 6, pp. 516-527.

von Hippel, P. (2000). Redefining pitch proximity: Tessitura and mobility as constraints on melodic intervals. Music Perception, Vol. 17, No. 3, pp. 315-327.

von Hippel, P. (2000). Questioning a melodic archetype: Do listeners use gap-fill to classify melodies? Music Perception, Vol. 18, No. 2, pp. 139-153.

von Hippel, P., & Huron, D. (2000). Why do skips precede reversals? The effect of tessitura on melodic structure. Music Perception Vol. 18, No. 1, pp. 59-85.

Huron, D. (1989a). Voice denumerability in polyphonic music of homogeneous timbres. Music Perception, Vol. 6, No. 4, pp. 361-382. Abstract.

Huron, D. (1989b). Voice Segregation in Selected Polyphonic Keyboard Works by Johann Sebastian Bach. Unpublished PhD dissertation, University of Nottingham, U.K. Abstract.

Huron, D. (1990). "Increment/Decrement asymmetries in polyphonic sonorities." Music Perception, Vol. 7, No. 4 (1990) pp. 385-393. Abstract.

Huron, D. (1990). "Crescendo/Diminuendo asymmetries in Beethoven's piano sonatas." Music Perception, Vol. 7, No. 4 (1990) pp. 395-402. Abstract.

Huron, D. (1991). "The ramp archetype: A study of musical dynamics in 14 piano composers." Psychology of Music, Vol. 19, No. 1 (1991) pp. 33-45. Abstract.

Huron, D. (1992). "The ramp archetype and the maintenance of auditory attention." Music Perception, Vol. 10, No. 1 (1992) pp. 83-92. Abstract.

Huron, D. & Sellmer, P. (1992). "Critical bands and the spelling of vertical sonorities." Music Perception, Vol. 10, No. 2, pp. 129-149. Abstract.

Huron, D., Kinney, D., & Precoda, K. (MS). Relation of pitch height to perception of dominance/submissiveness in musical passages.

Kellar, L.A. & Bever, T.G. (1980). Hemisphere asymmetries in the perception of musical intervals as a function of musical experience and family handedness background. Brain and Language, Vol. 10, pp. 24-38.

Kimura, D. (1964). Left-right differences in the perception of melodies. Quarterly Journal of Experimental Psychology, Vol. 16, pp. 355-358.

Lang, P.J., Simon, R.F., & Balaban, M.T. (1997). Attention and Orienting: Sensory and Motivational Processes. London: Lawrence Erlbaum Associates.

Levitin, D.L., & Bellugi, U. (1997). Musical abilities in individuals with Williams Syndrome. Paper presented at the 1997 Society for Music Perception and Cognition, Massachusetts Institute of Technology, Cambridge, Mass.

Nesse, R. (1991). What good is feeling bad? The evolutionary benefits of psychic pain. The Sciences, Nov./Dec. 1991, pp. 30-37.

Orlebeke, J.F., & Feij, J.A. (1979). The orienting reflex as a personality correlate. In H.D. Kimmel, E.H. van Olst, & J.F. Orlebeke (eds.), The Orienting Reflex in Humans. Hillsdale, NJ: Erlbaum, pp. 567-585.

Palmer, C. (1996). On the assignment of structure in music performance. Music Perception, Vol. 14, pp. 23-56.

Palmer, C. (1997). Music performance. Annual Review of Psychology, Vol. 48, pp. 115-138.

Pascual-Leone, A., Dang, N., Cohen, L., Brasil-Neto, J., Cammarota, A., & Hallet, M. Modulation of muscle responses evoked by transcranial magnetic stimulation during the acquisition of new fine motor skills. Journal of Neurophysiology, Vol. 74, No. 3, pp. 1037-1045.

Peretz, I. (1996). Can We Loose Memories for Music? The Case of Music Agnosia in a Nonmusician. Journal of Cognitive Neurosciences, Vol. 8, No. 6, pp. 481-496.

Pert, C.B. (1997). Molecules of Emotion. New York: Scribner.

Plihal, W. (1996). Differential effects of early and late noctural sleep on the consolidation of declarative and nondeclarative memory. Frankfurt am Main: Peter Lang.

Profet, M. (1992). Pregnancy sickness as adaptation: A deterrent to maternal ingestion of teratogens. In: Barkow, Cosmides & Tooby (eds.) The Adapted Mind: Evolutionary Psychology and the Generation of Culture. Oxford: Oxford Unviersity Press.

Terhardt, E., Stoll, G., & Seewann, M. (1982). Pitch of complex signals according to virtual-pitch theory: Tests, examples, and predictions. Journal of the Acoustical Society of America, Vol. 71, No. 3, pp. 671-678.

Wallin, N.L. (1991). Biomusicology; Neurophysiological, Neuropsychological, and Evolutionary Perspectives on the Origins and Purposes of Music. Stuyvesant, NY: Pendragon Press.

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