Table of Contents
- Title Page
- Abstract
- Expectation
- Previous Scholarship
- Plan
- Background Concepts I
- Background Concepts II
- First Impressions
- Anticipatory GSR
- Unpredictability
- Predictive Programs
- Developing Predictive Programs
- Event and Contingent Probabilities
- Meter and Attention
- Long-Range Contingent Expectations - Text
- Long-Range Contingent Expectations - Music
- Rhythmic Genres
- The Model
- The Model - Function
- Effects of Early, Delayed, and Unexpected Outcomes
- Expectation & Enculturation
- Episodic vs. Semantic Memory
- Schematic vs. Veridical Expectations
- Wittgenstein's Puzzle
- The Pleasures of Prediction
- Pop Goes the Weasel
- Mixed Expectations
- "What" and "When" - The Anticipatory Pleasures of Poetry
- Mental Representation
- Mental Representation II
- The Anticipation (I)
- The Anticipation (II)
- The Anticipation (III)
- Predictable Music - Boredom
- Amplifying the Outcome Valence
- Reverse Psychology: Expecting the Unexpected
- An Example: Post-Skip Reversal
- Three Aspects of Melodic Structure: 1. Pitch Proximity
- 2. Central Pitch Tendency
- 3. Ascending Leap Tendency
- Ideal Prediction Program
- Actual Prediction Program
- Conclusion (I)
- Conclusion (II)
Supplementary Slides:- Exposure Effect
- Hick-Hyman Law
- The Pleasures and Displeasures of Prediction
- Tonal Schemata
- References
- Earlier Version of this Presentation
- Other Presentations