David Huron
Conference Presentations

CONFERENCE PRESENTATIONS:

2006

________ "Musical anticipation."
Session 5 panelist.
International Computer Music Conference.
New Orleans, Louisiana (2006 November 10).
Abstract.
Li, Y., & ________ "Melodic modeling: A comparison of scale degree and interval."
International Computer Music Conference.
New Orleans, Louisiana (2006 November 8). Abstract.
________ "Music informatics special session: Music databases, music analysis, and the discipline of music theory."
Session respondent.
Society for Music Theory Conference
Los Angeles, California (2006 November 2).
________ "Emotion and understanding in music."
Invited Address, Meyerfest
Northwestern University, School of Music
Evanston, Illinois (2006 October 20) Abstract.
________ "Music distribution in a global context: Policy research challenges."
Keynote Address, International Society for Music Information Retrieval
7th International Conference on Music Information Retrieval
Victoria, Canada (2006 October 9) Abstract.
________ "Are scale degree qualia a consequence of statistical learning?"
International Conference on Music Perception and Cognition,
Bologna, Italy (2006 August 25) Abstract.
________ "Introduction to empirical methods in field research."
Workshop. Society for Ethnomusicology, Mid-west Chapter Conference.
Columbus, Ohio (2006 April 29)
2005
________ "Globalization and Local Music-Making in Micronesia: A Media Survey."
Society for Ethnomusicology Conference.
Atlanta, Georgia (2005 November 17)
Abstract.
________ "Globalization and Local Music-Making in Micronesia: A Media Survey."
Midwest Regional Society for Ethnomusicology Conference.
Bowling Green, Ohio (2005 April 2) Abstract. Presentation.
2004
________ "The Plural Pleasures of Music."
Music and Music Science Conference.
Stockholm, Sweden (2004 October 29)
Abstract. Presentation. PDF Text.
________ "Music-engendered laughter: An analysis of humor devices in PDQ Bach."
8th International Conference on Music Perception and Cognition.
Evanston, Illinois (2004 August 7) Abstract. Presentation.
________ "Issues and prospects in studying cognitive cultural diversity."
8th International Conference on Music Perception and Cognition.
Evanston, Illinois (2004 August 6) Abstract. Presentation.
Ollen, J. & ________ "Listener preferences and early repetition in musical form."
8th International Conference on Music Perception and Cognition.
Evanston, Illinois (2004 August 6)
________ "Expanding the basket of analytic methodologies."
Keynote Address, Texas Society for Music Theory Conference.
San Marcos, Texas (2004 February 27) Abstract. Presentation.
2003
________ "Emotional Consequences of Expectations: A Theoretical Model with Applications."
Society for Music Perception & Cognition Conference.
Las Vegas, Neveda (2003 June 17)
Abstract. Presentation.
2002
________ "Listening styles and listening strategies."
Society for Music Theory Conference.
Columbus, Ohio (2002 Nov. 1)
Abstract. Presentation.
________ "A six-component theory of auditory-evoked emotion."
International Conference on Music Perception and Cognition (ICMPC7).
Sydney, Australia (2002 July 19) Abstract.
________ "A new theory of sensory dissonance: A role for perceived numerosity."
International Conference on Music Perception and Cognition (ICMPC7).
Sydney, Australia (2002 July 18) Abstract. Presentation.
Veltman, J. & ________ "A cognitive approach to the Medieval modes."
International Conference on Music Perception and Cognition (ICMPC7).
Sydney, Australia (2002 July 18). Presentation.
2001
Holland, K. & ________ "The Densmore Project: A Native American Music Database"
Society for Ethnomusicology -- Mid-West Conference.
Cincinnati, Ohio (2001 April 21)
Abstract. Presentation.
"Toward a theory of timbre."
Music Theory Mid-West Conference.
Cincinnati, Ohio (2001 April 21) Abstract. Presentation.
"Data mining large musical data bases."
American Association for the Advancement of Science.
San Francisco, California (2001 Feb. 18) Abstract. Presentation.
2000
"Musical minds, musical wits: A cognitive neuroscience of music."
National Association of Schools of Music Conference.
San Diego, California (2000 Nov. 19)
Abstract.
________ & von Hippel, P. "Tonal and contra-tonal structure of Viennese twelve-tone rows."
Society for Music Theory Conference.
Toronto, Canada (2000 Nov. 3)
"Perceptual and cognitive applications in music information retrieval."
International Symposium on Music Information Retrieval.
Plymouth, Massachusetts (2000 Oct. 25) Abstract. Presentation. Text.
"Is music an evolutionary adaptation?"
The Biological Foundations of Music.
New York Academy of Sciences
New York, New York (2000 May 20) Text.
1999
"Music and the brain."
National Association of Schools of Music Conference.
Chicago, Illinois (1999 Nov. 20)
Iyer, N., Aarden, B., Hoglund, E. & ________ "Effect of intensity on sensory dissonance."
138th Conference of the Acoustical Society of America.
Columbus, Ohio (1999 Nov. 3) [Poster presentation.]
Abstract.
"The Humdrum Toolkit: Software tools for music research."
Association for Computing Machinery, Special Interest Group in Information Retrieval (SIGIR) Conference.
Berkeley, California (1999 Aug. 19)
"An instinct for music: Is music-making an evolutionary adaptation?"
Society for Music Perception and Cognition Conference.
Northwestern University, Evanston, Illinois (1999 Aug. 16) Abstract.
von Hippel, P. & ________ "Rethinking pitch proximity, explaining post-skip reversals."
Society for Music Perception and Cogntion Conference.
Northwestern University, Evanston, Illinois (1999 Aug. 15) Abstract.
"Beyond the nature/nurture rhetoric: Seeking clarity in discussing the relationships between biology and culture."
Music, Culture, Mind Symposium.
Franke Institute for the Humanities, University of Chicago
Chicago, Illinois (1999 Feb. 26)
1998
von Hippel, P. & ________ "Are melodic skips elastic? Unsettling findings from an analysis of vocal monophony."
Society for Music Theory.
Chapel Hill, North Carolina (1998 Dec. 4)
von Hippel, P. & ________ "Melodic gap-fill and regression to the mean."
American Musicological Society, Northern/Central California Chapter Meeting.
Oakland, California (1998 Feb. 7)
1997
"Perceptual research on voice-leading."
Society for Music Theory.
Phoenix, Arizona (1997 Oct. 31)
Abstract.
"Three approaches to characterising musical similarity."
Study Day on Computers and Musicology.
King's College, London, England (1997 Aug. 21)
"Music research using Humdrum."
International Musicological Society.
Royal College of Music, London, England (1997 Aug. 19)
"On the psychological foundations of voice-leading aesthetics."
International Musicological Society.
Royal College of Music, London, England (1997 Aug. 16)
"Making sense of sensory dissonance."
Society for Music Perception and Cognition.
Massachusetts Institute of Technology, Cambridge, MA (1997 Aug. 2) Abstract.
________, Ch'ng, M.Y., Rasmussen, K. & Stockwell, S. "The perceptibility of four music-rhetorical types."
Society for Music Perception and Cognition.
Massachusetts Institute of Technology, Cambridge, MA (1997 Aug. 2) Abstract.
"Sound, music and emotion: An introduction to the experimental research."
Seminar presentation, Society for Music Perception and Cognition.
Massachusetts Institute of Technology, Cambridge, MA (1997 Aug. 2) Abstract.
"The classical Themefinder project."
CCRMA Affiliates Conference.
Stanford University, Stanford, CA. (1997 May 15)
Selfridge-Field, E. & ________ "The violin concertos Opus 8 by Vivaldi: A new critical electronic edition."
Pacific Coast chapter of the Society for Music Theory.
University of California, Santa Barbara, CA. (1997 April 12)
"New tools (c. 1997) for musicologists: A demonstration."
Northern California chapter of the American Musicological Society.
Santa Clara University, Santa Clara, CA. (1997 Feb. 8)
1996
"On the kinematics of melodic contour: Deceleration, declination, and arch-trajectories in vocal phrases."
Fourth International Conference on Music Perception and Cognition.
Montréal, Québec (1996 August 12)
"Problems with applying set theory to the analysis of tonal music."
Music Theory Midwest Conference.
Kalamazoo, Michigan (1996 May 18)
1995
________ & Berec, J. "The influence of performance physiology on musical organization: A case study of idiomaticism and the B-flat valve trumpet."
Society for Music Perception and Cognition Conference.
Berkeley, California (1995 June 23)
Abstract.
"The Humdrum Toolkit: Software tools for music researchers."
Society for Music Perception and Cognition Conference.
Berkeley, California (1995 June 24) Abstract.
1994
________ & Royal, M. "What is melodic accent? A computer-based study of the Liber Usualis."
Canadian University Music Society Conference.
Calgary, Canada (1994 June 5)
1993
"The Humdrum Toolkit: Research software for music scholars."
Sixteenth Meeting of the Society for Music Theory.
Montréal, Québec (1993 November 4)
Simpson, J. & ________
"The perception of rhythmic similarity: A test of a modified version of Johnson-Laird's theory."
Canadian Acoustical Association Congress.
Toronto, Canada (1993 October 5)
________ & Mondor, T.
"Melodic line, melodic motion, and Fitts' Law."
Music Perception and Cognition Conference.
Philadelphia, Pennsylvania (1993 June 17)
________ & Royal, M.
"What is melodic accent?"
Music Perception and Cognition Conference.
Philadelphia, Pennsylvania (1993 June 17)
"A derivation of the rules of voice-leading from perceptual principles."
Canadian University Music Society Conference.
Ottawa, Canada (1993 May 31)
Abstract.
"A derivation of the rules of voice-leading from perceptual principles."
125th Conference of the Acoustical Society of America.
Ottawa, Canada (1993 May 20)
1992
"Why is technology contentious? Two views of sound recording."
Glenn Gould Conference
Toronto, Canada (1992 September 24)
"A derivation of the rules of voice-leading based on perceptual principles."
Second International Conference on Music Perception and Cognition.
University of California, Los Angeles
Los Angeles, California (1992 February 25)
"Critical bands and the spelling of vertical sonorities."
Second International Conference on Music Perception and Cognition.
University of California, Los Angeles
Los Angeles, California (1992 February 25)
"An improved method for keytracking."
Second International Conference on Music Perception and Cognition.
University of California, Los Angeles
Los Angeles, California (1992 February 25)
"Interval content in common pitch sets: Optimizing tonal consonance."
Invited paper, Second International Conference on Music Perception and Cognition.
University of California, Los Angeles
Los Angeles, California (1992 February 24)
1990
"The ramp archetype and the maintenance of auditory attention."
Music and the Cognitive Sciences 1990 Conference. Cambridge University
Cambridge, England (1990 September 21)
Abstract.
"Changing compositional strategies with increasing textural density in J.S. Bach's keyboard polyphony."
Music Theory Canada 1990.
London, Canada (1990 March 18)
"An STS Identity in Canada."
Invited panelist, 1990 Technology Literacy Conference
National Association for Science, Technology and Society (NASTS).
Washington, D.C. (1990 February 3)
1989
"Characterizing musical textures."
International Computer Music Conference.
Columbus, Ohio (1989 November 4)
1988
"Evidence of a preferred textural density in J.S. Bach's polyphony."
Royal Musical Association Research Student Conference.
London, England (1988 December 18)
"Music Representation Reconsidered."
Computers in Music Research Conference
Lancaster, England (1988 April 12)
Abstract.
"Voice denumeration in polyphonic music: How many do we hear?"
Symposium on Music and the Cognitive Sciences. Institut de Recherche et Coordination Acoustique/Musique (IRCAM).
Centre Georges Pompidou
Paris, France (1988 March 18) Abstract. En français.
1987
"Characterising musical textures."
Royal Musical Association Research Student Conference.
Leeds, England (1987 December 20)
"Auditory stream segregation and voice independence in multi-voice musical textures."
Second Conference on Science and Music. City University,
London, England (1987 September 18)
1985
"Music in advertising: authority and self-advocacy."
Troisième congrès international des études en musique populaire. Université du Québec à Montréal
Montréal, Québec (1985 July 10)
"Deductive and inductive musics: A discussion of Anglo-American dominance in popular music."
Invited panelist, Canadian University Music Society Conference
Montréal, Québec (1985 June 3)
1979
"Nineteenth century physiology and the virtuoso pianist."
Canadian Society for the History and Philosophy of Science and Technology. McMaster University
Hamilton, Canada (1979 November 17)
1977
"The computer as interdisciplinary catalyst: Music and psychology."
Third International Conference on Computing in the Humanities.
University of Waterloo, Waterloo, Canada (1977 August)
1976
"Musical performance modification in differing acoustic environments."
92nd Conference of the Acoustical Society of America.
San Diego, California (1976 November 19)

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